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DRITTVARIABLE

at the Artist Battle 2024 in the Kulturgarten Brüel

Saturday and Sunday, 18 - 19 May 2024

There will be another Artist Battle in the Kulturgarten Brüel in 2024. What's special this time is that three groups of artists are competing on the theme of ‘Crossing Borders’. We are very pleased that we as DRITTVARIABLE have been invited to design a huge wall surface in the Kulturgarten. We are doing this together with our dear colleagues and artist groups Studio 36 from Rostock and Institut für inszenierung from NRW, who were also each given a wall.

There was still plenty of art from recent years to marvel at on the action site in Brüel, Bahnhofsstraße 18B.
Of course, there was another art event with us, so the focus was on the process. Anyone could spray with us. We installed a giant PLOTTOMAT. And off we went for the visitors. They painted - together 😀

Saturday 18 and Sunday 19 May 2024

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LUFT NACH OBEN

we present the ROMANTISIZER in the art show 2024 of BBK Mecklenburg-Pomerania

the ROMANTISIZER is an AI work created in collaboration with the artist Carsten Bund

Opening: Saturday, May 4th 2024, 2 PM
Duration of the exhibition: May 4 - June 30, 2024
Opening hours: Wednesday - Sunday, 11 am - 5 pm

https://www.kuenstlerbund-mv.org/kunstschau-505.html

To mark the 250th anniversary of the birth of the Romantic painter Caspar David Friedrich, this year's art exhibition is being held in Greifswald, the city of his birth.

Many artists have explored romanticism on this occasion.

I am very pleased to show an AI work in this form. It was created in collaboration with the artist Carsten Bund. The ROMANTISIZER is constantly painting romantic masterpieces // The Romantics warned us about the desecration of the world and our loss of connection with it. Today we are becoming more romantic than ever. For the transfigured look back at nature, which we have irretrievably lost, unleashes in us a growing longing for intact nature. We are continuing CDF's work. But we have neither intact nature nor the irrepressible belief in God, miracles or ourselves as the greatest creature on earth at our disposal. We use his aesthetics, synthesizing methods and current images of our world. The perception of the changed situation of our nature is symbolized in each picture by the leaning viewer. The ambivalent scenes can depict beautiful sunsets as well as raging natural disasters. Here, the viewers reflect themselves.

Exhibition ORTSZEITEN in the north chapel of St. Marien Wismar

Susurri is part of the exhibition ORTSZEITEN

opening: Friday, May 3rd, 6 PM

https://ortszeiten.eu/

Maurinmühle - a place like many others. Places where our shared history weighs so heavily that it is better not to exist. In such places, you are alone with yourself, surrounded by nature and moved by premonitions. To remember on site means first of all to feel.

Susurri invites you to listen to these feelings.

The wind is caught in the open pipe, vibrates in it and something audible is created in this small space. With silence, concentration and time, everyone can perceive something. Does the wind sound like singing, complaining, crying, shouting? What do you hear? Hearing is a sense. Listening properly makes sense. The Susurri object is an invitation to take time to listen attentively.

The ORTSZEIT exhibition series is an artistic form of remembrance culture. The artists always work on new themes and develop answers to questions about our repressed history, which visitors can explore.

The city of Wismar also provided the Kunstverein Wismar e.V. with an exhibition period in 2024 in the Nordkapelle in St. Marien at its disposal. The Kunstverein has invited the ORTSZEIT exhibition series. Exhibiting artists: Janet Zeugner, Gudrun Brigitta Nöh, Annette Czerny, Rico, Ramona Seyfarth, Renate U. Schürmeyer, Udo Rathke, Susanne Gabler

Project presentation Susurri - southwest

Working in the US 2024

Preview

Susurri - southwest is a continuation of my work Susurri, during my stay in the US from 5 March to 9 April 2024.

Here are some views of my work in the landscapes of the south-west of the US. And impressions of my studio exhibition at the "Wonzimer" in Los Angeles.

We humans are connected to our nature and therefore all changes will have an impact on us and our coexistence.

Project presentation ROMANTISIZER
at WONZIMER in Los Angeles

Collaboration AI mit Carsten Bund

from Friday, March 29th, 3 PM

https://carstenbund.com/collab-sg/

2024 is the 250th birthday of Caspar David Friedrich. To mark the occasion, we have collaboratively developed the ROMANTIZISER.
For the first time, LA-based artist Carsten Bund and German visual artist Susanne Gabler are collaborating in this new form.
Carsten Bund is a painter and programmer. His AI work is continued here in this new shared project.
Gabler works in situ and reacts to situations in terms of content. She often uses aesthetics to depict the dramas of the world. The often ecological themes of her works always emphasise the social and thus socio-political issues that are actually being highlighted.
Caspar David Friedrich brought us classic romantic painting. It was taken up by Walt Disney and an endless number of designers. The artists of this art epoch declared nature to be a temple, spirituality, refuge, solace and the only true orientation. The Romantics warned us of the desecration of the world and of our loss of this connection with it.
Today we are more romanticised than ever. Because the romanticised look back at nature, which we have irretrievably lost, unleashes in us a growing longing for intact nature.
We are continuing CDF's work. To do this, we have neither intact nature nor an irrepressible belief in God, miracles or ourselves as the greatest creature on earth at our disposal. We use his aesthetics, synthesising methods and current images of our world. The perception of the changed situation of our nature is symbolised in every picture by the educated viewer. The ambivalent scenes can depict beautiful sunsets as well as raging natural disasters. The audience reflects itself.
We enter into a multifaceted dialogue with the AI. In the first step, we fed the AI with our observations and created 1,000-fold scenarios of the world. We then used the AI to multiply this image material 100,000 times. The AI then helps us to filter out the romantic masterpieces from this large quantity that convey the desired moods. This generated image material is first incorporated into an Ai-memory, from which it is then reassembled using evolutionary methods. Finally, we let a computer paint the romantic picture and the viewer can watch this process.
The new realities do not change our romantic perception. We reproduce these by means of contemporary images with the ROMANTIZISER. If it is not interrupted, it paints romantic works forever. It is thus the image or afterimage of evolution, which is never finished.

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