Susanne Gabler Artist

Wordart

next level shit

since 2020 | word art

next level shit

since 2020
word art
installations at various locations
2023 at Neues Kunsthaus Ahrenshoop and signs in public space Ahrenshoop

For me, the term "nature" refers to that which is greater than us. In the Anthropocene, we are increasingly encountering the ghosts that we called. We ignore the danger of sea levels rising even more rapidly in the future due to global warming. This will prevent us from correcting our habitual behaviour.
NEXT LEVEL SHIT makes this silent threat visible in Ahrenshoop by visualising a future rise in sea levels using distributed signage.
These light-reflecting signs are made of the same film that is used for traffic and warning signs. This material usually conveys safety in public spaces. Here it thematises our perceived powerlessness in the face of impending disasters and at the same time our need for reassurance.

KUNSTSGNA

2023 | word art

KUNSTSGNA

2023
word art
in situ Art hall Rostock
as part of the exhibition of nominees for the 17th Rostock Art Prize

This text work addresses the location and context of their existence. In her concentration she becomes lyrical. Reflected in gold, the art shines outwards and its content is reflected in the reflections of its recipients. Always present, the little-discussed fear and its influence on our perceptions, themes and non-discussions. The white letter objects emerge from the wall, approach the viewer and carry their gold on their backs.They radiate their value to the wall, and fortunate is the one who discovers it.

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NEW NOT NEW

2023 | installation | word art

NEW NOT NEW
2023

Schriftinstallation / word art
Klebefolie
NEW NOT NEW … endlessly repeatable words that create their own resonance. Visually, this echoes through the church tower and allows us to feel our shared history.

The history of this Gothic church illustrated by the placement of the letters on the youngest part of the architecture. Preserving and protecting, the wooden box wall closes the church tower today and thus highlights the breaks in our history.

In its loop-like nature, the lettering asks whether we learn from the past and use the experiences as a basis for our future actions.

Churches symbolize the power of cities, offer orientation to sailors and support to people. These forms of refuge have been needed throughout the centuries and therefore the church tower is also currently an embodiment of security.
In its incompleteness, it simultaneously visualizes the stability and fragility of this security.

With this he offers a wonderful translation of our exhibition theme TO ESCAPE and the pressing issues of our time - which the words NEW NOT NEW also express in their concentration.​
English (UK)

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