Susanne Gabler Artist

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fotografie

Feelings are also facts

Exhibition from 20.09. - 30.10.2024
Curator Susanne Gabler
Opening on Friday, September 20, 2024, at 7 pm
Exhibition until October 30, 2024
Bahnhofstraße 4-5, 17489 Greifswald
Romanticism celebrates emotion, people's longing and a greater power to which we as human beings must subordinate ourselves. While modernity declares facts to be reality, romanticism romanticism offers a refuge to this. In this duality, our evaluations are permanently subject to the decision to carry them out as romantics or as analysts. As a result, a part of us is always left out.

Welcome by Susanne Gabler

Contribution to the exhibition theme and the exhibition by Dr. Asmus Trautsch, poet and philosopher

Performative contribution to basic - let's see perhaps her -emotions by Anne Martin, Visual artist and author
Exhibiting artists:

Anne Martin (MV) / Carsten Bund (US) / Stephanie Sherwoord (US) / Carlos Beltran Arechiga (US) / Laura Schöning (MV) / Patrick Hinz (MV) / Frauenverein Tribsees e.V. (MV) / DRITTVARIABLE (MV) - Lena Biesalski, Felix Fugenzahn, Susanne Gabler, Christian Schönwälder
more info will be posted on Instagram
@susagabler
and @koeppenhaus
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Artist-in-Resistance

2021 | Photographic series

Artist-in-Resistance

2021
Photographic Series
self-staging

The requirements for artists.

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FED UP

2020 | Photographic Series

FED UP

2020
Photographic Series
self-staging

The solo self-employed artists have found themselves in absolutely precarious living situations as a direct result of the coronavirus lockdown. 

FED UP Represents pictorially that we all only have to seem fed up in order to broadly suppress our fears and needs. 

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face it

2022 | Photographic Series

face it

Photographic Series
self-staging
2022

face it … name it … call it … catastrophy

(Because the term climate change sounds not right.)

Images 2, 3, 6 / Photographer: Tine Schulz

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SEE ME

Photography

SEE ME

2020
Photographic Series
self-staging

Corona has provided new experiences.
Corona has provided new experiences. We are all confronted with disguise, social distancing, demarcation, isolation, our contacts have to work digitally. A number of new challenges, the aftermath of which we cannot foresee in this first experience.

SEE ME deals artistically with distance.
What do people find their footing in? Themselves? But then the feeling of distancing increases and you sometimes lose your orientation.

In the sight of the hair splendor arises confusion over front and back, facing and facing away. This confusion of the recipients is the transmission of their own inner confusion.

English (UK)
Deutsch English (UK)

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