Susanne Gabler Artist

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LUFT NACH OBEN

we present the ROMANTISIZER in the art show 2024 of BBK Mecklenburg-Pomerania

the ROMANTISIZER is an AI work created in collaboration with the artist Carsten Bund
Opening: Saturday, May 4th 2024, 2 PM
Duration of the exhibition: May 4 - June 30, 2024
Opening hours: Wednesday - Sunday, 11 am - 5 pm
https://www.kuenstlerbund-mv.org/kunstschau-505.html
To mark the 250th anniversary of the birth of the Romantic painter Caspar David Friedrich, this year's art exhibition is being held in Greifswald, the city of his birth.

Many artists have explored romanticism on this occasion.

I am very pleased to show an AI work in this form. It was created in collaboration with the artist Carsten Bund. The ROMANTISIZER is constantly painting romantic masterpieces // The Romantics warned us about the desecration of the world and our loss of connection with it. Today we are becoming more romantic than ever. For the transfigured look back at nature, which we have irretrievably lost, unleashes in us a growing longing for intact nature. We are continuing CDF's work. But we have neither intact nature nor the irrepressible belief in God, miracles or ourselves as the greatest creature on earth at our disposal. We use his aesthetics, synthesizing methods and current images of our world. The perception of the changed situation of our nature is symbolized in each picture by the leaning viewer. The ambivalent scenes can depict beautiful sunsets as well as raging natural disasters. Here, the viewers reflect themselves.

Exhibition ORTSZEITEN in the north chapel of St. Marien Wismar

Susurri is part of the exhibition ORTSZEITEN
opening: Friday, May 3rd, 6 PM
https://ortszeiten.eu/
Maurinmühle - a place like many others. Places where our shared history weighs so heavily that it is better not to exist. In such places, you are alone with yourself, surrounded by nature and moved by premonitions. To remember on site means first of all to feel.

Susurri invites you to listen to these feelings.

The wind is caught in the open pipe, vibrates in it and something audible is created in this small space. With silence, concentration and time, everyone can perceive something. Does the wind sound like singing, complaining, crying, shouting? What do you hear? Hearing is a sense. Listening properly makes sense. The Susurri object is an invitation to take time to listen attentively.

The ORTSZEIT exhibition series is an artistic form of remembrance culture. The artists always work on new themes and develop answers to questions about our repressed history, which visitors can explore.

The city of Wismar also provided the Kunstverein Wismar e.V. with an exhibition period in 2024 in the Nordkapelle in St. Marien at its disposal. The Kunstverein has invited the ORTSZEIT exhibition series. Exhibiting artists: Janet Zeugner, Gudrun Brigitta Nöh, Annette Czerny, Rico, Ramona Seyfarth, Renate U. Schürmeyer, Udo Rathke, Susanne Gabler

Project presentation Susurri - southwest

Working in the US 2024
Preview
Susurri - southwest is a continuation of my work Susurri, during my stay in the US from 5 March to 9 April 2024.

Here are some views of my work in the landscapes of the south-west of the US. And impressions of my studio exhibition at the "Wonzimer" in Los Angeles.

We humans are connected to our nature and therefore all changes will have an impact on us and our coexistence.

Project presentation ROMANTISIZER
at WONZIMER in Los Angeles

Collaboration AI mit Carsten Bund
from Friday, March 29th, 3 PM
https://carstenbund.com/collab-sg/
2024 is the 250th birthday of Caspar David Friedrich. To mark the occasion, we have collaboratively developed the ROMANTIZISER.
For the first time, LA-based artist Carsten Bund and German visual artist Susanne Gabler are collaborating in this new form.
Carsten Bund is a painter and programmer. His AI work is continued here in this new shared project.
Gabler works in situ and reacts to situations in terms of content. She often uses aesthetics to depict the dramas of the world. The often ecological themes of her works always emphasise the social and thus socio-political issues that are actually being highlighted.
Caspar David Friedrich brought us classic romantic painting. It was taken up by Walt Disney and an endless number of designers. The artists of this art epoch declared nature to be a temple, spirituality, refuge, solace and the only true orientation. The Romantics warned us of the desecration of the world and of our loss of this connection with it.
Today we are more romanticised than ever. Because the romanticised look back at nature, which we have irretrievably lost, unleashes in us a growing longing for intact nature.
We are continuing CDF's work. To do this, we have neither intact nature nor an irrepressible belief in God, miracles or ourselves as the greatest creature on earth at our disposal. We use his aesthetics, synthesising methods and current images of our world. The perception of the changed situation of our nature is symbolised in every picture by the educated viewer. The ambivalent scenes can depict beautiful sunsets as well as raging natural disasters. The audience reflects itself.
We enter into a multifaceted dialogue with the AI. In the first step, we fed the AI with our observations and created 1,000-fold scenarios of the world. We then used the AI to multiply this image material 100,000 times. The AI then helps us to filter out the romantic masterpieces from this large quantity that convey the desired moods. This generated image material is first incorporated into an Ai-memory, from which it is then reassembled using evolutionary methods. Finally, we let a computer paint the romantic picture and the viewer can watch this process.
The new realities do not change our romantic perception. We reproduce these by means of contemporary images with the ROMANTIZISER. If it is not interrupted, it paints romantic works forever. It is thus the image or afterimage of evolution, which is never finished.

Exhibition Art Prize Rostock 2023

Gesamtbild

Social Object
21.10 – 3.12.2023
Schaudepot Kunsthalle Rostock
Embroidery is a contemplative, age- and gender-inclusive and, above all, a directly accessible technique. We sit together and develop our textile image as a temporary community. Each person can add a part. The individual parts are created individually. Rhythmically, piece by piece, they create a larger overall picture as a reflection of our collaboration. While embroidering, the participants surrender to the community process and temporarily connect. The embroidered fabric becomes a social object.

KUNSTSGNA

word art
21.10 – 3.12.2023
Schaudepot Kunsthalle Rostock
This text work addresses the location and context of their existence. In her concentration she becomes lyrical. Reflected in gold, the art shines outwards and its content is reflected in the reflections of its recipients. Always present, the little-discussed fear and its influence on our perceptions, themes and non-discussions. The white letter objects emerge from the wall, approach the viewer and carry their gold on their backs.They radiate their value to the wall, and fortunate is the one who discovers it.

Susurri

Objekte
21.10 – 3.12.2023
Schaudepot Kunsthalle Rostock
In their figurative form, the "Susurri" (Latin for "the Whisperers") directly interact with the collection of the Kunsthalle Rostock. They are formally a nod to classical shapes, but this is subverted by the choice of material. High-temperature (HT) pipes from hardware stores, available in various lengths, thicknesses, and fittings, provide a system that can be infinitely shaped with delight. This playful expression marries lightness with sensitive perception, as they indeed whisper. The movement of air within the pipes generates an echo that can be heard in stillness. Listening is a sense, and attentive listening is meaningful.

fixed

Objekte
21.10 – 3.12.2023
Schaudepot Kunsthalle Rostock
After the performative smashing with a hammer, I repaired the buoys using an old technique. I sewed them with sheep's wool, just as valuable porcelain dishes in Iceland used to be put together for further use, sewn and boiled in milk without cream to seal up the cracks and holes. I am therefore offering it again for further use on the sea. In this idiocy, I wonder whether such a kind of return is possible and whether we learn from such repetitions.

woven plastics

Objekte
21.10 – 3.12.2023
Schaudepot Kunsthalle Rostock
Washed-up, washed-out pieces of plastic on the beach of the Greenland Sea. I exclusively wove the broken and torn pieces, which were then sewn on the back with Icelandic sheep's wool to form a unified conglomerate unity. These found objects are visibly destroyed, having lost their usefulness and now serving as a disturbance in nature. Sensing this disruption, I reassemble the parts anew. Woven plastics visualize the opportunity for something new – after breaking away from their predetermined purpose.

found

Objekte
21.10 – 3.12.2023
Schaudepot Kunsthalle Rostock
Too much work, too far away, too long absent, too broken, too dirty, too different, too big, too small, too unsuitable, too creepy, too worn, too dark, too monotonous, too much experienced, too little experienced, too colorful, too boring, too silly, too modern, too old, too politically incorrect, too peculiar.. There are many reasons that make it difficult to find a suitable second person.

This installation has now grown to more than 150 gloves since 2019. As an installation, it is impressive due to its size and diversity. When the individual parts are removed they are objectified.
English (UK)
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