Susanne Gabler Artist

Objekt

LUFT NACH OBEN

we present the ROMANTISIZER in the art show 2024 of BBK Mecklenburg-Pomerania

the ROMANTISIZER is an AI work created in collaboration with the artist Carsten Bund
Opening: Saturday, May 4th 2024, 2 PM
Duration of the exhibition: May 4 - June 30, 2024
Opening hours: Wednesday - Sunday, 11 am - 5 pm
To mark the 250th anniversary of the birth of the Romantic painter Caspar David Friedrich, this year's art exhibition is being held in Greifswald, the city of his birth.

Many artists have explored romanticism on this occasion.

I am very pleased to show an AI work in this form. It was created in collaboration with the artist Carsten Bund. The ROMANTISIZER is constantly painting romantic masterpieces // The Romantics warned us about the desecration of the world and our loss of connection with it. Today we are becoming more romantic than ever. For the transfigured look back at nature, which we have irretrievably lost, unleashes in us a growing longing for intact nature. We are continuing CDF's work. But we have neither intact nature nor the irrepressible belief in God, miracles or ourselves as the greatest creature on earth at our disposal. We use his aesthetics, synthesizing methods and current images of our world. The perception of the changed situation of our nature is symbolized in each picture by the leaning viewer. The ambivalent scenes can depict beautiful sunsets as well as raging natural disasters. Here, the viewers reflect themselves.

Exhibition ORTSZEITEN in the north chapel of St. Marien Wismar

Susurri is part of the exhibition ORTSZEITEN
opening: Friday, May 3rd, 6 PM
Maurinmühle - a place like many others. Places where our shared history weighs so heavily that it is better not to exist. In such places, you are alone with yourself, surrounded by nature and moved by premonitions. To remember on site means first of all to feel.

Susurri invites you to listen to these feelings.

The wind is caught in the open pipe, vibrates in it and something audible is created in this small space. With silence, concentration and time, everyone can perceive something. Does the wind sound like singing, complaining, crying, shouting? What do you hear? Hearing is a sense. Listening properly makes sense. The Susurri object is an invitation to take time to listen attentively.

The ORTSZEIT exhibition series is an artistic form of remembrance culture. The artists always work on new themes and develop answers to questions about our repressed history, which visitors can explore.

The city of Wismar also provided the Kunstverein Wismar e.V. with an exhibition period in 2024 in the Nordkapelle in St. Marien at its disposal. The Kunstverein has invited the ORTSZEIT exhibition series. Exhibiting artists: Janet Zeugner, Gudrun Brigitta Nöh, Annette Czerny, Rico, Ramona Seyfarth, Renate U. Schürmeyer, Udo Rathke, Susanne Gabler

PARADISE

2018 | object

PARADISE

2018
found object

This find depicts a paradisiacal underwater landscape.
While this lighter drifted through the Baltic Sea as plastic waste, it became the basis of life for sea creatures (mussels and lichens).
Did it become an underwater paradise again?

it takes two

2022 | object

it takes two

Künstlerhaus Dortmund
in situ für die Ausstellung
"it takes two wo Tango"
2022

Closeness through distance.

In tango, both dance partners keep a very precise distance between them.
To do this, they have to perform their movements together and precisely.
The better they manage to do this together, the more elegant the choreography looks. Do they know and feel each other? Do they take over their partner's movements in time? Can they make complex movement sequences look fluid and light together?

In dance, there is always a space between them - a distance. However, they primarily create an image of great closeness with their unified movements.

So there is no closeness without distance. The distance they both agree on is always the right degree of closeness.

fixed

2018 | object

fixed

2018
washed up buoys, sheep wool

created during an Artist-in-Residence at NES in Skagaströnd in Iceland

After the performative smashing with a hammer, I repaired the buoys using an old technique. I sewed them with sheep's wool, just as valuable porcelain dishes in Iceland used to be put together for further use, sewn and boiled in milk without cream to seal up the cracks and holes. I am therefore offering it again for further use on the sea. In this idiocy, I wonder whether such a kind of return is possible and whether we learn from such repetitions.

English (UK)

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