Susanne Gabler Artist

Objekt

Exhibition ORTSZEITEN in the north chapel of St. Marien Wismar

Susurri is part of the exhibition ORTSZEITEN
opening: Friday, May 3rd, 6 PM
Maurinmühle - a place like many others. Places where our shared history weighs so heavily that it is better not to exist. In such places, you are alone with yourself, surrounded by nature and moved by premonitions. To remember on site means first of all to feel.

Susurri invites you to listen to these feelings.

The wind is caught in the open pipe, vibrates in it and something audible is created in this small space. With silence, concentration and time, everyone can perceive something. Does the wind sound like singing, complaining, crying, shouting? What do you hear? Hearing is a sense. Listening properly makes sense. The Susurri object is an invitation to take time to listen attentively.

The ORTSZEIT exhibition series is an artistic form of remembrance culture. The artists always work on new themes and develop answers to questions about our repressed history, which visitors can explore.

The city of Wismar also provided the Kunstverein Wismar e.V. with an exhibition period in 2024 in the Nordkapelle in St. Marien at its disposal. The Kunstverein has invited the ORTSZEIT exhibition series. Exhibiting artists: Janet Zeugner, Gudrun Brigitta Nöh, Annette Czerny, Rico, Ramona Seyfarth, Renate U. Schürmeyer, Udo Rathke, Susanne Gabler

Project presentation Susurri - southwest

Working in the US 2024
Preview
Susurri - southwest is a continuation of my work Susurri, during my stay in the US from 5 March to 9 April 2024.

Here are some views of my work in the landscapes of the south-west of the US. And impressions of my studio exhibition at the "Wonzimer" in Los Angeles.

We humans are connected to our nature and therefore all changes will have an impact on us and our coexistence.

KUNSTSGNA

2023 | word art

KUNSTSGNA

2023
word art
in situ Art hall Rostock
as part of the exhibition of nominees for the 17th Rostock Art Prize

This text work addresses the location and context of their existence. In her concentration she becomes lyrical. Reflected in gold, the art shines outwards and its content is reflected in the reflections of its recipients. Always present, the little-discussed fear and its influence on our perceptions, themes and non-discussions. The white letter objects emerge from the wall, approach the viewer and carry their gold on their backs.They radiate their value to the wall, and fortunate is the one who discovers it.

PARADISE

2018 | object

PARADISE

2018
found object

This find depicts a paradisiacal underwater landscape.
While this lighter drifted through the Baltic Sea as plastic waste, it became the basis of life for sea creatures (mussels and lichens).
Did it become an underwater paradise again?

it takes two

2022 | object

it takes two

Künstlerhaus Dortmund
in situ für die Ausstellung
"it takes two wo Tango"
2022

Closeness through distance.

In tango, both dance partners keep a very precise distance between them.
To do this, they have to perform their movements together and precisely.
The better they manage to do this together, the more elegant the choreography looks. Do they know and feel each other? Do they take over their partner's movements in time? Can they make complex movement sequences look fluid and light together?

In dance, there is always a space between them - a distance. However, they primarily create an image of great closeness with their unified movements.

So there is no closeness without distance. The distance they both agree on is always the right degree of closeness.

English (UK)

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